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From
Gods of Music:
"Warm
and sublime, like a lover's soft kiss on the cheek,
this is the impression I got from Chris Juergensen's
composition "When Love Greets You".
Beautifully performed and recorded, this is an
enjoyable and relaxing piece of music."
"Juergensen
displays a supple, graceful approach to the guitar,
at times floating and then darting about in a
playful and sincere manner. The recording notes
on his website describe this as "a blatant
love song", and I found his sense of love
very evident in his playing."
"Backing
Juergensen is a tasteful trio: Dale James on bass,
Touru Nakashima with some delicate and sweet electric
piano textures, and Tetsuya Hoshiyama using brushes
on drums to stay appropriately lithe and understated.
"
"My
only minor gripe would be that I found the bass
a bit buried in the mix; I would have enjoyed
hearing the bass a little more clearly present
in the overall sound. But otherwise, I would say
this recording achieves very well what Juergensen
set out to accomplish, displaying his heart on
his sleeve with no reservation - nothing shrill
or flashy, all just soft and tender, while still
clearly skillful and accomplished. When a pretty
piece of soft jazz is called for, I can't imagine
anything working better than "When Love Greets
You" - Gods
of Music, Chris Aranosian
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From
Abtractlogix:
"Certainly
one of the best records we have heard this year,
this native New Yorker and currently the Director
of Education at Tokyo School of Music creates
a beautiful landscape with surreal and uncommon
melodies throughout the record. Chris Juergensen's
playing reflects articulate compositions, beatutiful
phrasings in the lineage of Wayne Krantz and Pat
Metheny. Surprisingly enough, the record was made
in only two days with different sessions player
contributing. Tetsuya Hoshiyama's brush playing
is subtle and appropriate. A great record to listen
to at any time." - Abstractlogix
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From
fusion legend, Mike Stern:
"Chris
Juergensen is a dedicated and sincere musician
who plays from the heart. This comes through on
his new CD, Prospects" -Mike Stern
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Radio
station, Progressive Soundscapes:
"One
Word: Stunning" -Kenny Solomon, progressivesoundscapes.com
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From
the fusion site, Prognosis:
"Prospects
is his first release, it is entirely instrumental,
and dwells in the mellower moods of jazz, he plays
in a similar manner as the likes of Metheny, Stern,
Krantz, & Scofield. That is to say, that his
tone on the guitar is very clean, distortion free,
with a heavy focus on improvisation. His technique
is very clean, and he shows a versatile chord
vocabulary as he comps his way through the oft
changing progressions in his music."
"He
has stated that this cd was recorded in studio,
with a live feel, with minimal rehearsals, and
hardly an overdub to be found. This is a surprising
fact, to have created such a lush and expressive
musical statement as this, seemingly would have
required more than a couple rehearsals, yet the
music sounds very refined, and the sound quality
is very clear. He also made a note to tell me
that this cd would represent his jazzier side
of fusion, and he also has plans to create some
rock influenced fusion cds in the near future,
and in listening to his playing skills, I certainly
look forward to hearing him doing that, as well
as getting an opportunity to get a respectable
amount of time in studio to complete it."
"Prospects
is a very relaxing listen, great late night music
to kick back to, and Chris' playing soothes your
mind, setting up solo spots with articulated melodies,
and just the right amount of ambiance from his
band members. It should be noted that this type
of fusion is not anything like the style made
famous by such guitarists as - John McLaughlin,
Scott Henderson or Al DiMeola, where speed, volume,
and technical arrangements are the focal points,
this music is more in line with what players like
Wayne Krantz, John Scofield, or Mike Stern have
been doing, very east coast sounding with a huge
jazz influence" -MJBrady, Prognosis
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From
the Spanish Jazz site, Grandes Del Jazz Contemporaneo:
On
this record, I listened to a musician with his
own personality and style, an innovator in a way,
a rare virtue nowadays. This is very true of all
the musicians on the CD , especially Chris himself.
His guitar and music sounds softly, very melodious.
With a bit of reverb effect applied to his electric
guitar, and with the good company of his Japanese
musicians whom accompany him in a correct way,
he has obtained a disc that is most intimate with
plenty of finesse.
It
is pleasant music, with plenty of its own personal
touch. I wish the best to this great musician
and guitarist, and I encourage anyone who enjoys
jazz and contemporary music to listen him, and
I would like that you will find yourself pleasantly
surprised, like me. - Grandes
Del Jazz Contemporaneo, Sabino Espinel Castrodeza
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From
Gods of Music:
"Prospects,
the opening piece on Chris Juergensen's similarly
titled new release, provides a unique sound. A
sound like water; fluid and reflective, constantly
moving."
"It took me a few sessions with Prospects
to appreciate its elegance in simplicity. After
acquainting myself with the supportive elements
of this piece - the percussion and oh-so-subtle
bass and keys - and then going back and focusing
on Juergensen's guitar playing, I was able to
finally hear the piece as it is: a straightforward,
natural and fun instrumental."
"Lush guitar chords tumble throughout the
piece, courting the percussion, bass and keys
like a dragonfly over the waters. Fully clean
and free from any distortion, Juergensen presents
a playing style wholly his own. Prospects is one
of the most unique sounding pieces I have heard
in some time, a positive merit that many contemporary
instrumentals lack. There is an innate freshness
about it."
"Prospects is an excellent example of Juergensen's
ability to perform. It's hard to believe the piece
was done with minimal rehearsal and in such a
short period. Fusion lovers will eat this up.
Excellent work" - Gods
of Music, Christopher Farmer
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From
Jazzreview.com:
PROSPECTS
features the guitar work and jazz compositions
of Chris Juergensen. The songs are unusual, and
each song has a special jazz motif.
The
CD collection has 7 songs. The songs include "Prospects,"
"When Love Greets You," "Shepherd
Moon," "Where Spirits Dance," among
others. Touru Nakashima reveals some very nice
piano stylings and is a nice addition to the song
performances.
For
something different, the jazz listening audience
will find the contemporary jazz guitar stylings
of Chris Juergensen refreshing, and the music
enjoyable.
For
a debut recording, this CD is well-crafted and
enjoyable listening, the solo work at its finest.
PROSPECTS is entertaining. -Lee Prosser, jazzreview.com
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From
cOnsensus.com:
Chris
Juergensen gives a stellar performance of a stylish
song with subtle grace, yet also with a playfulness
that creates a mood just warm enough for love.
The improv is creative and delightful. Forced
to find faults, I would say the song could use
a little more variety. The organ feature--also
excellently performed--satisfies this to some
extent, but I can't help but sense a little more
repitition than I prefer. Otherwise, the entire
ensemble is world class. Expect to hear this artist
on smooth jazz radio stations. Any fusion lover
will be adding this to their collection.
- cOnsensus.com
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